女王神剑
阿诺·施瓦辛格,布里吉特·尼尔森,桑达·伯格曼,保罗·L·史密斯,厄尼·雷耶斯,罗纳德·莱西,帕特·罗奇,珍妮特·阿格伦,拉腊·兰贝蒂,汉斯·迈尔,弗兰切丝卡·布露玛拉·科鲁奇,史文-欧尔·托尔森,Terry Richards,Donna Osterbuhr,Stefano Maria Mioni,Tutte Lemkow,Tad Horino,Erik Holmey
HD
女王神剑
阿诺·施瓦辛格,布里吉特·尼尔森,桑达·伯格曼,保罗·L·史密斯,厄尼·雷耶斯,罗纳德·莱西,帕特·罗奇,珍妮特·阿格伦,拉腊·兰贝蒂,汉斯·迈尔,弗兰切丝卡·布露玛拉·科鲁奇,史文-欧尔·托尔森,Terry Richards,Donna Osterbuhr,Stefano Maria Mioni,Tutte Lemkow,Tad Horino,Erik Holmey
HD中字
生母的阴谋
内详
HD
我儿子去了外星球
甄济康,罗四维,包蕾,李智,王伟,马海洋,邱文洋
HD
唯一的受害者
魏笑,张珏,曾辉
HD
萌学园:寻找盘古
李昂霖,林奕勋,刘书宏,翁瑞迪,蔡孟颖,林昀希,傅冠杰,杨子仪,朱晴渝,郭侑纪,时男,刘碑歌,曹曦月,海铃,许京川
HD
新边缘人
张学友,梁家辉,张耀扬,吴倩莲,黎姿
This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.
Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.
One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.